Tuesday, April 11, 2017

Creative Critical Reflection

        I've just completed my CCR and although I'm extremely relieved, I'm sad to see this process come to an end. You can watch my reflection here. I also attached the transcript below if its needed.


Hi! Michaela Hogan here. I’m the director , writer, and editor of Dread in Turpitude and I’m going to be going over the production process of it. I'm gonna first start off with why i chose such a controversial topic and that's because in our society there's a very distinct “rape culture” which means that our culture is one that normalizes sexual abuse or harassment. Yet, there is also a unspoken but very pronounced pedophilia culture that exists, meaning that we as a whole normalize pedophilic tendencies. This pedophilia culture that we harbor is driven by the way we treat women and the way we expect them to be. If we expect women to shave their legs, be shorter than men, and act inferior then we are basically expecting them to resemble children. Women are supposed to always show youth and lack wrinkles or any sign of aging. This eroticization of the prepubescent attributes of women is so instilled in our society that it is never questioned or seemingly abnormal, yet we completely shame pedophiles for essentially being attracted to the same thing. No one wants to admit that this culture exists because it shows a weakness, a sort of hypocrisy in their beliefs. Which brings me to my next point of how I represented this shamed minority. I refrained from depicted pedophiles in the way that they always are, usually in horror movies, because i wanted to stay as far away from the stereotyping as possible, it's not helping anyone. If there's anything media can do it's that it can form beliefs in its audience, and if an audience sees a certain group only depicted in horror movies then more likely than not they're going to affiliate that group with horror. This is mainly why I used myself, a teenage girl, to be the protagonist. Women in film are also barely shown not being feminine, so me having short hair and dressing androgynously also adds to the representation aspect that I wish to achieve. I believe that my opening as a whole includes some concepts that will be hard for an audience to wrap their heads around, but it will overall be very engaging because it involves a social group that is largely overlooked in the film industry. The target audience would be most likely 20-40 year olds because it contains too much social commentary for high schoolers or younger people to be actively engaged in its storyline. Also, it is mainly targeted at women because the stereotypical man enjoys action over drama. I have also taken into account having Magnolia Pictures as a producer because they would be my main source of distribution to an audience. They primarily distribute arthouse and foreign movies that would otherwise be risky for traditional producers and they have their own DVD distribution and theater chain for independent films, Landmark theatres, which could increase the size of the target audience because it would essentially be reaching a wider pool of people. I would also make use of social media, advertising for this movie on Twitter, Facebook, Snapchat, Instagram, and on its own website so that it could also attract younger people. The platforms I would release the film on would first be cinema, probably playing in independent and local theaters, and after it would be released on different online streaming services such as Amazon Video, Netflix, and Hulu. Spotify could even have the film’s soundtrack on it. The reason it wouldn’t be distributed on a DVD is because it wouldn’t be that popular to sell, seeing as though the target audience is very specific and has to be people with a complete open mind, willing to have sympathy for pedophiles. In the production of my opening, my skills with editing deeply matured. I was able to complete the editing, color correction, and audio in less than a week, which was a great milestone for me. I integrated a wide range of technology throughout the whole process as well. I used a Canon DSLR camera to record, Premiere Pro software to edit, IMac computer to edit on, and my iphone to record the narration. Bringing all these products together to create one 2 minute film segment truly highlights the idea of convergence and the efficiency that it creates. This project was probably one of the most intense and thorough assignments i've ever done and I'm happy that i did it because i learned so much about what the film industry expects from a person, and how it's really a lot to keep up with. I'm happy with the final product that i created and i'm happy that i can finally conclude this blog. Thank you!

Sunday, April 9, 2017

Dread in Turpitude

       Finally! The whole video is finished and you can access it here! While I was making my last few tweaks, it occurred to me that my film opening lacked a title. I thought about the overall tone of the film and what I was trying to convey, and ended up piecing together "Dread in Turpitude", since the main character's acts or desires are considered vile, and the character has to live with the dread and shame of it all.

Thursday, April 6, 2017

Audio

        Its time to input the audio! As I have previously stated, I will be using "Old Friends" by Simon & Garfunkel. I chose this song because the lyrics convey themes of nostalgia and reminiscence, reflecting upon youth as one grows older. Being affiliated with one of the most hated groups in the world and being unable to have any sort of support can draw up feelings of reminiscence of such an innocent time, when one was a child. The themes of this song correlate with the feel of the whole film opening and add to the dreariness of the character. This part of the production process is relatively difficult seeing as thought I have to make sure not to drown out different layers of recorded audio. I have the sounds of the train, both the tracks and the horn, background highway traffic sounds, an ambulance siren, the narration, and "Old Friends" playing simultaneously. Obviously, the main focus is the narration because I don't want the audience to be completely confused, so I dialed its volume up 3 decibels. The rest of the audio layers will continuously increase in volume and intensity until the ultimate climax, when the protagonist is walking towards the platform's edge. This adds to the suspense the audience feels because the film opening peaks in one scene and then resolves in the next.

Wednesday, April 5, 2017

Color Correction

         I have completely assembled my film opening and I have moved on to color correction. I cropped every clip to give the impression of a letterbox, simulating a cinema aspect ratio. Also, I overlaid Lumetri Color presets such as SL Gold Orange and SL Blue Ice to desaturate the footage and create a cold tone. I inputed a Premiere Pro effect called "Noise HLS Auto" to add grain because I wanted my opening to seem distressed and warn out. Before I made these changes final, I researched how to make a scene more dramatic using editing. I found that by using these certain presets with an added letterbox turns what seems like a home movie into a cinema. Below you can see the changes I made from the original footage next to the edited one.

                                  Before                                                                                       After





















Resources:
"Color Palettes from Famous Movies Show How Colors Set the Mood of a Film." Digital Synopsis,
          digitalsynopsis.com/design/cinema-palettes-famous-movie-colors/. Accessed 6 Apr. 2017.
Nedomansky, Vashi. "7 TIPS FOR HD COLOR CORRECTION AND DSLR COLOR
          CORRECTION." Hurlblog,www.thehurlblog.com/cinematography-online-7-tips-for-hd-color
          correction-and-dslr-color-correction/. Accessed 6 Apr. 2017. 

Monday, April 3, 2017

Editing

       Right now I'm in the process of editing, and honestly, this is my favorite part. Seeing my vision piece together and form a coherent sequence is completely satisfying. I have mainly straight cuts, with the occasional cross-dissolve to show the passing of time. I am editing my opening using Adobe Premiere Pro CC 2017 because I find its best to get comfortable with software that professional editors use. In my opinion, the hardest part about this stage of the production process is making use of editing in a way that conveys a message. Even with my script giving the narrative straightforward, I still have to time every cut, every transition, every scene perfectly. Below is how my workspace is set up, I even researched in advance how the way Premiere is set up affects efficiency.



Resources:
Renee, V. "Watch: 5 Ways to Customize Premiere Pro to Get a More Efficient Workflow." No Film
          School, 23 Feb. 2017, nofilmschool.com/2017/02/watch-5-ways-customize-premiere-pro-get
          more-efficient-workflow. Accessed 12 Apr. 2017.

Friday, March 31, 2017

Foley

        Foley is the art of creating or adding realistic audio to a movie or television program, usually performed by Foley artists on a  stage in a Post Production studio. For my opening, I need to create all of the media necessary to convey its themes adequately. I have stated previously in the storyboard that the last scenes of the protagonist with the train will match cut to a similarly composed shot in a different setting. The key component to transitioning this smoothly will be from the ringing of the tracks with a similar ringing in the next shot. Fortunately for me, an ambulance happened to be passing by when I was at the train station so I was able to get the sirens and the train horns to use as background sounds. Also, at the lake I recorded the audio of the rock skipping through the water.


Resources:
Singer, Philip. "What Is Foley?" Art of Foley, www.marblehead.net/foley/. Accessed 6 Apr. 2017.
MavArt, Productions. "What Is Foley?" Sound Ideas, www.sound-ideas.com/Page/what-is-foley.aspx.
          Accessed 6 Apr. 2017. 
Carlsson, Sven. "Foley." Film Art, filmsound.org/terminology/foley.htm. Accessed 6 Apr. 2017.

Thursday, March 30, 2017

Change of Plans

        In my storyboard, I planned that I was going to shoot the last scene at a pier or dock at the beach, but I ended up going to a lake that was closer to me. I realized that the color scheme of the beach wouldn't adequately match the scenery of the train station. Also, I had previously stated that the match shot would transition with the sound of a cell phone ringing through the next scene; Instead, I used the motion of the protagonist almost falling off the platform as a smooth transition, so I ended up with these shots instead.